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Don’t Judge a Comic Book By Its Creator’s Appearance on The Daily Show

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Posted on March 2 2011 7:57 pm
Bosch Fawstin is an Eisner Award nominated cartoonist currently working on a graphic novel, The Infidel, of which the first chapter is now available as a digital comic. Bosch's first graphic novel is Table for One. He is also the author of ProPiganda: Drawing the Line Against Jihad, a companion to The Infidel, and the 1st print appearance of Pigman.

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Another noteworthy instance of my being taken out of context was with respect to my view of the propensity of Muslims to become Jihadists, and how one should deal with self-described Muslims. Yes, I did say that I think it is possible for a Muslim to become a Jihadist. This is because, as I have learned in the research I did leading up to writing and drawing The Infidel, Islam prescribes Jihad as something its true believers should engage in, in order to spread Islam. What I discussed in the interview, which didn’t make it into the final segment, was my own attitude towards individual Muslims. I have family members who consider themselves Muslims with whom I am friendly, and I would certainly not conclude that your average Muslim is likely to become a Jihadist. They cut from the segment the following statement, which clearly distinguishes average Muslims from Islam’s consistent practitioners: “Your average Muslim is morally superior to Mohammed. They are individuals who may or may not be a problem. It’s Islam’s consistent practitioners, it’s organized Islam, that is the problem.” Obviously, this statement made me seem too reasonable (or maybe they thought it was too blasphemous) for it to be included in the segment.

Another significant point that was omitted was my view that, while most Muslims are relatively harmless, there are still aspects of Islam that are detrimental to even more passive Mulsims: the casual misogyny, anti-Semitism, and the idea that everyone outside the clan is, essentially, worthless. I was brought up surrounded by all of this.

Some less significant, but genuinely funny things were omitted. For example, when I was discussing the Islamization of the West by Muslims and Islamophiles — e.g., DC Comics featuring JLA/99 and Nightrunner — Aasif humorously tried to correct me, saying, “You mean Islamicizing.” And I replied, “No, Islamization.” He repeated, “Islamicizing?” I answered “Islamization.” This went on a few times until Aasif said, as if conceding, “Oh, Islamicizing, yeah, right, that’s the Muslim exercise,” to which I quipped, “Five times a day.” And then he said, “Ohhhh, Islamophobic humor.” I immediately dismissed this as “Islamophonia,” because fear of Islam is not irrational. And we had a little back-and-forth on that as well.

One unfortunate omission was something that was silly, but fun. They quoted my term, “IslamiCrap,” which I used in my post about Nightrunner. Aasif said only, “IslamiCrap.” And I replied, “Yeah, that’s right, ‘Islam means peace,’ the Muslim Batman, IslamiCrap.” And he responded, “How about Islami$#!+?” and I said, “No, IslamiCrap.” To which he responded, “How about IslamiDooDoo?” And I held my ground, “No, IslamiCrap,” saying it rolls off the tongue better. Perfectly silly, fun. Too bad it was left out.

Another thing you don’t see in the aired segment is Aasif conducting part of the interview in his superhero suit, which you see at the end of the aired segment. During that part of the sit-down interview, he asked me what I thought about him and his suit and, echoing Howard Roark’s response to a similar question from Ellsworth Toohey in The Fountainhead, I said, “I don’t.” The premise of that part of the segment, the producer told me on set, was that Aasif wanted to be a superhero and I, by ruling out the possibility of a Muslim superhero, was ruining his chances. So we had a back-and-forth during which I said that, if he was willing to go after Jihadists, then that was fine with me, and he agreed to do so. Fairly funny stuff, not as good as some of the other omitted material.

Perhaps the funniest bit that was omitted from the aired segment was Aasif and I, supposedly traveling to my “psteudio” in a car. The premise was that, because of the nature of my work, I would take precautions with respect to who could come to my studio and I would not let visitors learn its location. So, like Batman did in the 1960′s TV show, we put a blindfold on Aasif. The difference being that here, Aasif was actually doing the driving, while blindfolded, getting directions from me, sitting in the passenger seat next to him.

To their credit, the editors did not take advantage of two instances where I misspoke. In one instance, when speaking about the English Batman, I mentioned London and England interchangeably, as if both were cities. In another, I was referring to Pigman’s super strength and I said, as a throwaway, that he’s as strong as 40 men, or 20 jihadists, when I meant the converse (i.e., I meant jihadists were weaker than the average man, not stronger). But in any event, that could have worked to Pigman’s benefit, to make him seem even tougher.

One final thing that shows how they really tried to make me look bad, down to the last detail: they gave Aasif both our rations of pre-camera make-up. :-)

Despite my experience, I want to give kudos to “The Daily Show” for having the nerve to showcase Pigman, even if only to make fun of him and me for a couple minutes.

 

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